During the summers of 1995 and 1996, I was privileged to receive scholarship to attend New England Music Camp. This life-changing experience opened my eyes to the possibilities and opportunities available to me as a "pretty good" high school bassoonist. It is where I met Michael J. Burns who deeply inspired me as a young performer. I would subsequently attend the UNCG Honor Band for two years. One of which was lead by the great conductor of the "The President's Own" United States Marine Band Colonel John R. Bourgeois (my first exposure to military bands). NEMC was where I met Kara Dago-Clark and first learned of Manhattan School of Music. The ripple effect of these formative experiences cannot be quantified but highlight the long, circuitous, and adventure-filled road to the career I enjoy today. I'm so grateful to Howard Warner, who met me when he was an adjudicator for NYSSMA all-county in Perry, NY, and encouraged me to WRITE A LETTER to seek admission to the camp (yes, write an actual letter). I'll go one more step back and AGAIN thank Raymond Suriani who encouraged his students to participate in the annual NYSSMA festivals. It was an absolute joy to see the NEMC campus 27 years later and to share it with my husband Ken Crawford who has heard MANY ridiculous stories of my camp adventures.
Wednesday, June 12, 2024
New England Music Camp
During the summers of 1995 and 1996, I was privileged to receive scholarship to attend New England Music Camp. This life-changing experience opened my eyes to the possibilities and opportunities available to me as a "pretty good" high school bassoonist. It is where I met Michael J. Burns who deeply inspired me as a young performer. I would subsequently attend the UNCG Honor Band for two years. One of which was lead by the great conductor of the "The President's Own" United States Marine Band Colonel John R. Bourgeois (my first exposure to military bands). NEMC was where I met Kara Dago-Clark and first learned of Manhattan School of Music. The ripple effect of these formative experiences cannot be quantified but highlight the long, circuitous, and adventure-filled road to the career I enjoy today. I'm so grateful to Howard Warner, who met me when he was an adjudicator for NYSSMA all-county in Perry, NY, and encouraged me to WRITE A LETTER to seek admission to the camp (yes, write an actual letter). I'll go one more step back and AGAIN thank Raymond Suriani who encouraged his students to participate in the annual NYSSMA festivals. It was an absolute joy to see the NEMC campus 27 years later and to share it with my husband Ken Crawford who has heard MANY ridiculous stories of my camp adventures.
Trust Your Work
A reflection follows. Originally posted to FB February 29, 2024.
The Story Behind the Music
Debunking the Myth Within Myself
A reflection follows. Originally posted to FB November 19, 2023
This memory popped up today. At the time of this post I was working as a CNA in an assisted living facility in which we lived for "free" in exchange for 20-hours/week of honestly horrible work. (For those in this industry, GOD BLESS YOU!) We did this to save money, pay off a mountain of debt, and allow me to be an "at home" mom, assuming there would be more children. I had sold my bassoon, and performed only in the 23rd Army Band UTARNG. I really believed my "career" was over and tried fervently to find peace and joy in the work of motherhood. Ken was working full-time, nights and weekends, while completing his degree in auto mechanics. It was an interesting time in our lives. Morgan made a ton of developmental progress. In retrospect, that one fact made the rest worth it. This period of full-time motherhood/domesticity lasted about two years for me.
Towards the end of this chapter of my life, I connected with Lori Wike in the process of preparing for an audition - because we were slowly realizing that domesticity was not a long-term plan for me. Lori agreed to help me prepare for an audition I wanted to take (which I did not win) and spent 2+ hours with me in our first lesson. At the end of that lesson she asked me what I was doing, a bit unclear. "Oh, I'm working as a CNA...I was in Army bands...thought I was done with bassoon...but I want to try again.." or something like that. She just looked at me (I will always remember this moment...we were standing at her apartment door, she was holding it open as I went to leave, mumbling about my convoluted activities and hazy goals) and said "You should just be a bassoonist."
No one had EVER said that to me. Certainly not with any conviction or clarity. When Lori said it, it was as if nothing else could be so obvious: be a bassoonist.
Have I achieved "fame and fortune" as I ask in the memory? I mean...kind of...LOL! 😉 More importantly, I have achieved my goals (which change a lot on the path). Whatever I have achieved, it's because Lori and the network of people (very often women but certainly many others as well) I collected from that point on stood by me as I dug into the work of going after this career.
To anyone (especially my students) who has kept reading this post, keep doing the work! Walk through the open doors! Most importantly, build your network with people who believe in you. (And do the work, do the work, do the work...)
Don't accept scarcity.
Don't believe people who tell you:
- to quit by a certain age
- you have to win an audition by a certain time or in a certain amount of attempts
- you have to have a certain degree by a certain age
- you have to study with a certain teacher
- only some jobs = success
My friends Robyn Watson Rachel Frederiksen Cassandra Bendickson Haley Houk and I will be presenting on these ideas at the She Festival University of Arkansas in March. We represent the WIDE spectrum of viable careers in music (but certainly not all) and we're excited to BUST THE MYTHS that continue to perpetuate in our field! Thanks to our network of gal pals (and partners, friends, colleagues) who have allowed us the space to explore these ideas and live these truths.
Wednesday, September 8, 2021
Chronicle of COVID19 Infection and Long-Haul Syndrome (post-acute sequelae of SARS-CoV-2 infection - PASC)
Many people have suggested I compile my journey through COVID19 infection and long-haul. The best way for me to do this efficiently was to collect the posts from my FB page in which I captured my thoughts and experiences in real-time. This may or may not be of any actual interest to bassoonists. At the very least it's compelling to see how long this virus affected my professional work - about 10 mos of restricted playing and productivity. I marked my return to playing/productivity in Fall semester 2021 by completing a recording project of Roma Cafolla pieces for solo bassoon with collaborator, Allison Andersen.
Some article links came through, some did not. Keep in mind that personal commentary reflected research and data as it was developing.
October 12, 2020
Looking for all your favorite home remedies for body aches (beyond Tylenol) because these are wicked and have been for several days.
Yes, I have COVID19. Yes, I got it from close family members with whom I was unmasked, indoors for several hours. #regrets Yes, I have been tested and confirmed positive. Yes, I have multiple "underlying conditions." Yes, I have been consistent with my mask wearing with the one exception that caused me to be infected. I cannot smell or taste anything. Other symptoms align with a severe head cold + mild flu.
The BODY ACHES are slaying me. Send remedies.
Post edit: THANK YOU for the outpouring of wonderful remedies and thoughts and prayers!!!!! 😊💓 I have a curbside pickup set with every single item suggested from you all!
October 14, 2020
November 11, 2020
I didn't take enough photos! Today is officially the BEST day of 2021 because I got to perform with and enjoy my favorite people: double reed players! My last public solo performance was February 2020 less than a week before a pacemaker had to be placed in my chest. Then COVID shut downs, transition to online teaching and then my own long battle with COVID19. I shared my performance last year and tonight with my dear friend/collaborator Allison Michelle (ugh, no pic) performing peices by Roma Cafolla. Tonight was technically the world premier of a piece she composed for me and Allison, "Call Out My Name." I know so many have lifted my name up in prayers, thoughts, and well wishes in the past year. I HAVE FELT all that love! Thanks to everyone, especially my students, for making tonight so wonderful and joyful!
Taking on Associate Dean
Edited from original post, Facebook April 30, 2025 - be sure to read about what happened next. TL,DR: I'm the new Associate Dean of Stud...
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"Sometimes you do things in life just to figure out what you don't want to do in life." - My Dad The same pri...
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Légère bassoon reeds On May 22, 2014 I began trialing a Legere synthetic bassoon reed - a reed I have long been interested in. I wa...
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This post is written in collaboration with the marvelous Eryn Oft ! Be sure to watch her accompanying video. May 1...















